Jean-Philippe Rameau, Jean Rondeau's 'Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau' came out on February 19, 2016. The duration of Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau is about 3 minutes long, at 3:28. Based on our data, "Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vertigo by Jean Rondeau. The song's track number on the album is #12 out of 16 tracks. The popularity of Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau by Jean-Philippe Rameau, Jean Rondeau has a tempo of 166 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Rameau: Pièces de clavecin (1724), Suite in E Minor, RCT 2: No. 7 Musette en rondeau being at 166 BPM, the half-time would be 83 BPM with a double-time of 332 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 6 | 10A | 110 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Suite en Sol: Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 97 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM |
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