"Dvořák: Czech Suite in D Major, Op. 39, B. 93: III. Sousedská" by Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek was released on January 1, 1990. With this song being about 5 minutes long, at 4:31, "Dvořák: Czech Suite in D Major, Op. 39, B. 93: III. Sousedská" by Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 9 in Dvořák: Symphony No. 5 & Czech Suite by Antonín Dvořák, Libor Pešek, Czech Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dvořák: Czech Suite in D Major, Op. 39, B. 93: III. Sousedská is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: Czech Suite in D Major, Op. 39, B. 93: III. Sousedská by Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Piano in A Major: Allegretto ben moderato | César Franck, Ray Chen | A Major | 0 | 11B | 60 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) | Johann Sebastian Bach, Martin Stadtfeld | G Minor | 1 | 6A | 79 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM |
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