"O piissima, o sanctissima mater, motet de la Sainte Vierge, C. 135" by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Alain Buet, Fabien Armengaud, Cyril Auvity, Jean-François Novelli was released on October 21, 2016. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 30 out of 30 in Clérambault : Motets à trois voix d’hommes et symphonies by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud. Based on our statistics, O piissima, o sanctissima mater, motet de la Sainte Vierge, C. 135's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O piissima, o sanctissima mater, motet de la Sainte Vierge, C. 135 by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Alain Buet, Fabien Armengaud, Cyril Auvity, Jean-François Novelli is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Gagliarda Prima detta la Galante | The Royal Wind Music | A♭ Minor | 0 | 1A | 66 BPM | ||
Concerto Alla Rustica for Strings in G Major, RV 151: III. Allegro | Antonio Vivaldi, Orchestre De Chambre De Toulouse, Gilles Colliard | D♭ Major | 5 | 3B | 80 BPM | ||
Trio Sonata in A Minor, BuxWV 254: V. Largo | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Aria and 6 Variations in F Major, P.195: I. Aria tertia | Johann Pachelbel, Simone Stella | E Major | 1 | 12B | 0 BPM | ||
Motet pour la canonisation de Saint Pie, C. 150: VII. Quam felix | Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud, Alain Buet, Jean-François Novelli, Cyril Auvity | F Minor | 1 | 4A | 72 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | E Minor | 1 | 9A | 98 BPM |
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