"Strauss, R: An Alpine Symphony, Op. 64: VII. In Flowery Meadows" by Minnesota Orchestra, Edo de Waart was released on November 8, 1999. With Strauss, R: An Alpine Symphony, Op. 64: VII. In Flowery Meadows being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 32 in the song's album "R.Straus - Orchestral Works". In this album, this song's track order is #7. Strauss, R: An Alpine Symphony, Op. 64: VII. In Flowery Meadows is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: An Alpine Symphony, Op. 64: VII. In Flowery Meadows by Minnesota Orchestra, Edo de Waart having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.2 op. 55 Arab Dance ( Allegretto vivace) | Academy of St. Martin in the Fields | A Minor | 2 | 8A | 126 BPM | ||
Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | E Minor | 1 | 9A | 76 BPM | ||
Strauss, R: An Alpine Symphony, Op. 64: XVII. Quiet Before the Storm | Minnesota Orchestra, Edo de Waart | F♯ Major | 0 | 2B | 74 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Piano Sonata No. 2 in B flat minor, Op. 35: 3. Marche funèbre (Lento) | Frédéric Chopin, Vladimir Ashkenazy | F Minor | 4 | 4A | 102 BPM | ||
El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
Nocturne No.2 in E flat major, Op.9 No.2 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 0 | 6B | 129 BPM | ||
Grand Pianola Music: On the Great Divide | John Adams | E♭ Major | 2 | 5B | 84 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |
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