"El sueño de una noche de verano, Op. 61: No. 1, Obertura" by Orquesta Sinfónica De Munich, Henry Adolph was released on March 22, 1980. El sueño de una noche de verano, Op. 61: No. 1, Obertura appears to be safe for all ages as it is not explicit. The track order of this song in Orquesta Sinfónica De Munich, Henry Adolph's "Mendelssohn: El sueño de una noche de verano, suite instrumental, Op. 61" album is number 1 out of 5. Based on our statistics, El sueño de una noche de verano, Op. 61: No. 1, Obertura's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of El sueño de una noche de verano, Op. 61: No. 1, Obertura by Orquesta Sinfónica De Munich, Henry Adolph to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Aged Era | Bonn Classical Philharmonic | D Minor | 0 | 7A | 139 BPM | ||
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
Serenade, Op. 15 No. 1 | Moritz Moszkowski, Radio Symphony Orchestra | A♭ Minor | 4 | 1A | 155 BPM | ||
Concerto For Flute And Orchestra: "La Notte", Op.10, No 2, I. Largo Fantasia, Presto | Musici Di San Lorenzo | C Major | 2 | 8B | 84 BPM | ||
The Magic Flute, K. 620: Act I, No. 7. Duetto: "Bei Männern, welche Liebe fühlen" | Rundfunkorchester des Südwestfunks Baden-Baden | E♭ Major | 0 | 5B | 96 BPM | ||
Le Carnaval des Animaux, R.125: 10. Volières | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | F Major | 2 | 7B | 159 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Paul Tortelier, City Of Birmingham Symphony Orchestra, Louis Frémaux, Robert Johnston | A♭ Major | 2 | 4B | 123 BPM |
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