- BPM
- 69
- Key
- D♭ Major
- Camelot
- 3B
Années de pèlerinage III, S. 163: V. Sunt lacrimae rerum (En mode hongrois) - Franz Liszt, Lazar Berman Information
- Acousticness
- 99%
- Danceability
- 43%
- Energy
- 2%
- Instrumentalness
- 90%
- Liveness
- 9%
- Loudness
- 61%
- Speechiness
- 10%
- Valence
- 4%
- Popularity
- 7%
- Loudness
- -23.562 dB
Summary
"Années de pèlerinage III, S. 163: V. Sunt lacrimae rerum (En mode hongrois)" by Franz Liszt, Lazar Berman was released on January 1, 1977. Since Années de pèlerinage III, S. 163: V. Sunt lacrimae rerum (En mode hongrois) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Liszt, Lazar Berman's "Liszt: Années de Pèlerinage" album is number 5 out of 26. Années de pèlerinage III, S. 163: V. Sunt lacrimae rerum (En mode hongrois) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Années de pèlerinage III, S. 163: V. Sunt lacrimae rerum (En mode hongrois) BPM
We consider the tempo marking of Années de pèlerinage III, S. 163: V. Sunt lacrimae rerum (En mode hongrois) by Franz Liszt, Lazar Berman to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Années de pèlerinage III, S. 163: V. Sunt lacrimae rerum (En mode hongrois) Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | |
 | Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | |
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | |
 | Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | |
 | Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | |
 | Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | |
 | 6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | |
 | Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | |
 | 15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | |
 | Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6441378593444824
End: 0.6469171047210693