Lithuanian Chamber Orchestra's 'The Messiah: Part. II, Aria (Thou shalt break them with a rod' came out on November 28, 2008. The duration of The Messiah: Part. II, Aria (Thou shalt break them with a rod is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. The Messiah: Part. II, Aria (Thou shalt break them with a rod's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "The Messiah". In this album, this song's track order is #42. Furthermore, we believe that the track originated from Germany. In terms of popularity, The Messiah: Part. II, Aria (Thou shalt break them with a rod is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With The Messiah: Part. II, Aria (Thou shalt break them with a rod by Lithuanian Chamber Orchestra having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intermezzo, Op. 119/1 | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Major | 0 | 10B | 65 BPM | ||
Cello Concerto In B Minor, Op. 104 II. Adagio ma non troppo | Lithuanian Chamber Orchestra | G Major | 0 | 9B | 79 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Suite In Old Style: II. The Rose Garden, By Moonlight | Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov | D Minor | 2 | 7A | 79 BPM | ||
Rondo for Violin and Orchestra, K. 373 (arranged for Flute) | Lithuanian Chamber Orchestra, Saulius Sondeckis, Valentinas Gelgotas | D Major | 1 | 10B | 115 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
2 Melodies, Op. 3: No. 1 in F Major (arr. B. Traubas for cello and orchestra): Melodie (arr. B. Traubas) | Borisas Traubas, Anton Rubinstein, Vytautas Sondeckis, Lithuanian Chamber Orchestra, David Geringas | D Major | 1 | 10B | 86 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |
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