"2 Melodies, Op. 3: No. 1 in F Major (arr. B. Traubas for cello and orchestra): Melodie (arr. B. Traubas)" by Borisas Traubas, Anton Rubinstein, Vytautas Sondeckis, Lithuanian Chamber Orchestra, David Geringas was released on February 9, 2000. The duration of 2 Melodies, Op. 3: No. 1 in F Major (arr. B. Traubas for cello and orchestra): Melodie (arr. B. Traubas) is about 3 minutes long, at 3:08. Based on our data, "2 Melodies, Op. 3: No. 1 in F Major (arr. B. Traubas for cello and orchestra): Melodie (arr. B. Traubas)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 13 in Cello Recital: Vytautas Sondeckis by Vytautas Sondeckis. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 2 Melodies, Op. 3: No. 1 in F Major (arr. B. Traubas for cello and orchestra): Melodie (arr. B. Traubas) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Melodies, Op. 3: No. 1 in F Major (arr. B. Traubas for cello and orchestra): Melodie (arr. B. Traubas) by Borisas Traubas, Anton Rubinstein, Vytautas Sondeckis, Lithuanian Chamber Orchestra, David Geringas is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne op. 32 | Louise-Andrée Baril | G Major | 0 | 9B | 83 BPM | ||
Autumn Leaves (Arr. Daniel Rojas) | Joseph Kosma, Emily Sun, Andrea Lam | B♭ Major | 2 | 6B | 142 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto - Live | Camille Saint-Saëns, Bruno Philippe, Frankfurt Radio Symphony Orchestra, Christoph Eschenbach | B♭ Major | 0 | 6B | 96 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Coronation Orchestra, Antonio Pappano | C Minor | 1 | 5A | 83 BPM | ||
12 Album Leaves, Op. 51: No. 4 in F Minor. Andante con moto | Reinhold Glière, Maja Bogdanovic, Maria Belooussova | B Minor | 2 | 10A | 98 BPM | ||
Songs Without Words, Book 7, Op. 85: No. 1 in F Major, MWV U 150 (Arr. for Cello & Piano by Alfredo Piatti) | Felix Mendelssohn, Jonathan Miller, Marc Ryser | F Major | 1 | 7B | 83 BPM | ||
人知れぬ涙~歌劇『愛の妙薬』から | Gaetano Donizetti, Akira Senju, 千住真理子 | A♭ Major | 2 | 4B | 91 BPM | ||
The New Four Seasons - Winter: III. Slipping and Falling (After Violin Concerto No. 4, Op. 8, RV 297, III. Allegro, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | F Minor | 2 | 4A | 133 BPM | ||
Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Torleif Thedéen, Eldar Nebolsin | D♭ Major | 0 | 3B | 87 BPM | ||
Cantabile in D Major, Op. 17 | Niccolò Paganini, 東 亮汰, 髙木竜馬 | G Minor | 1 | 6A | 90 BPM |
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