- BPM
- 65
- Key
- B♭ Minor
- Camelot
- 3A
The Planets, Op. 32: II. Venus, The Bringer Of Peace - Gustav Holst, James Judd, Royal Philharmonic Orchestra Information
- Acousticness
- 92%
- Danceability
- 12%
- Energy
- 1%
- Instrumentalness
- 18%
- Liveness
- 9%
- Loudness
- 42%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 6%
- Loudness
- -35.03 dB
Summary
"The Planets, Op. 32: II. Venus, The Bringer Of Peace" by Gustav Holst, James Judd, Royal Philharmonic Orchestra was released on January 1, 2009. Since The Planets, Op. 32: II. Venus, The Bringer Of Peace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, James Judd, Royal Philharmonic Orchestra's "Holst: The Planets" album is number 2 out of 7. The Planets, Op. 32: II. Venus, The Bringer Of Peace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Planets, Op. 32: II. Venus, The Bringer Of Peace BPM
We consider the tempo marking of The Planets, Op. 32: II. Venus, The Bringer Of Peace by Gustav Holst, James Judd, Royal Philharmonic Orchestra to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The Planets, Op. 32: II. Venus, The Bringer Of Peace Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Reflection - From "Mulan" (Feat. Guo Gan) | Lang Lang, Guo Gan, Royal Philharmonic Orchestra, Robert Ziegler | C Major | 1 | 8B | 106 BPM | |
 | Seconda navigazione | Roberto Cacciapaglia, Royal Philharmonic Orchestra, Michele Fedrigotti | B Minor | 3 | 10A | 89 BPM | |
 | Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | |
 | English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | E♭ Major | 0 | 5B | 101 BPM | |
 | Les Sylphides: 2. Nocturne, Op. 32, No. 2 | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 84 BPM | |
 | The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes | G Minor | 1 | 6A | 133 BPM | |
 | Etude No. 3 in E Major, Op. 10: "Tristesse" | Frédéric Chopin, Peter Schmalfuss | E Major | 0 | 12B | 67 BPM | |
 | Oboe Concerto in F Major, Op. 7, No. 9: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 1 | 7B | 164 BPM | |
 | Berceuse, Op. 16 | Gabriel Fauré, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 94 BPM | |
 | Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5728189945220947
End: 0.5772356986999512