The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity - Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes Information

Acousticness: 94%
Danceability: 29%
Energy: 13%
Instrumentalness: 91%
Liveness: 8%
Loudness: 64%
Speechiness: 4%
Valence: 15%
Popularity: 39%
Loudness: -21.544 dB

Summary

"The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity" by Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes was released on September 2, 2016. Since The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "The Planets". In this album, this song's track order is #4. Based on our statistics, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity BPM

With The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity by Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Thieving Magpie - From “A Clockwork Orange"	Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly	E Major	2	12B	89 BPM
St. Paul's Suite, Op. 29, No. 2: I. Jig	Gustav Holst, Bournemouth Sinfonietta, Richard Studt	D Minor	2	7A	84 BPM
Jerusalem	Hubert Parry, Royal Philharmonic Orchestra, Owain Arwel Hughes	D Major	2	10B	95 BPM
Berlioz- Symphonie Fantastique: Symphonie Fantastique: IV. March to the Scaffold	Hector Berlioz, Budapest Philharmonic Orchestra, Rico Saccani	G Minor	2	6A	78 BPM
Jazz Suite No. 2: 4. Waltz I	Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly	B♭ Major	2	6B	178 BPM
Doves and the Boy - from 'Castle in the Sky'	Joe Hisaishi, Royal Philharmonic Orchestra	C Major	1	8B	102 BPM
Folk Tune and Fiddle Dance: Folksong	Percy Fletcher, Royal Ballet Sinfonia, Gavin Sutherland	E Minor	1	9A	136 BPM
Bookmarks from Japan: V. Evening Snow at Kambara	Julie Giroux, University of North Texas Symphonic Band, Ray Cramer	G Minor	0	6A	58 BPM
Méditation de Thaïs	Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd	D Major	1	10B	72 BPM
The Tale of Tsar Saltan: The Flight of the Bumblebee (Arr. for Flute and Orchestra)	Nikolai Rimsky-Korsakov, James Galway, Charles Gerhardt, National Philharmonic Orchestra	E Minor	2	9A	102 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7200593948364258

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