"Luisa Miller: Act II: The Intrigue: Scene III: Oh! fede negar potessi; Quando le sere al placido" by Plácido Domingo, Sir Edward Downes was released on September 24, 2009. With this song being about 5 minutes long, at 5:12, "Luisa Miller: Act II: The Intrigue: Scene III: Oh! fede negar potessi; Quando le sere al placido" by Plácido Domingo, Sir Edward Downes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 49 in the song's album "The Tenor". In this album, this song's track order is #5. The popularity of Luisa Miller: Act II: The Intrigue: Scene III: Oh! fede negar potessi; Quando le sere al placido is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Luisa Miller: Act II: The Intrigue: Scene III: Oh! fede negar potessi; Quando le sere al placido by Plácido Domingo, Sir Edward Downes having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aranjuez | Joaquín Rodrigo, Plácido Domingo | A Minor | 2 | 8A | 95 BPM | ||
La rosa y el sauce | Carlos Antonio Guastavino, Anna Netrebko | F♯ Minor | 1 | 11A | 81 BPM | ||
L'elisir d'amore: Act II: Una furtiva lagrima | Plácido Domingo, Nello Santi | B♭ Minor | 2 | 3A | 76 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Sous le ciel de Paris (Arr. Schifrin) - Live | Hubert Yves Adrien Giraud, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | A Minor | 3 | 8A | 134 BPM | ||
Mattinata | José Carreras | E Major | 3 | 12B | 117 BPM | ||
Brown / Arr Schifrin: A Tribute to Hollywood Part 4: Singin' in the Rain - Singin' In The Rain | The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | B♭ Major | 6 | 6B | 140 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Eternally | Charlie Chaplin, Plácido Domingo, Eugene Kohn | F Major | 2 | 7B | 76 BPM |
Section: 0.616887092590332
End: 0.6213343143463135