Riccardo Drigo, Beniamino Gigli made "Notturno d'Amor (Recorded 1922)" available on January 1, 1990. With this song being about 5 minutes long, at 4:50, "Notturno d'Amor (Recorded 1922)" by Riccardo Drigo, Beniamino Gigli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Beniamino Gigli's "Gigli Vol. 1 (Recorded1918-1924)" album is number 12 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Notturno d'Amor (Recorded 1922)'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Notturno d'Amor (Recorded 1922) by Riccardo Drigo, Beniamino Gigli to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 1 (arr. L. Atovmyan): IV. Polka | Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey | C Major | 2 | 8B | 114 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Album for the Young, Op. 68: No. 1, Melody | Robert Schumann, Norman Shetler | C Major | 0 | 8B | 110 BPM | ||
Le Cid / Act 2: Aragonaise | Jules Massenet, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 78 BPM | ||
Giselle (1996 Digital Remaster), Act I, No.5, Peasant pas de deux (Burgmuller): Entrance | Adolphe Adam, Terence Kern/London Festival Ballet Orchestra, Terence Kern, Terrence Kern, London Festival Ballet Orchestra | D Major | 5 | 10B | 103 BPM | ||
Act III: Pas De Deux (Kitri & Basil) (Minkus) | Mariinsky Orchestra | C Major | 2 | 8B | 182 BPM | ||
Les Millions d'Arlequin, Act I: Scène VI, Variation de Colombine (Extended Ending) | Riccardo Drigo, Nina Miller | B♭ Major | 2 | 6B | 144 BPM | ||
鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM |
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