James Ehnes's 'From the Homeland, Two Pieces for Violin and Piano - Andantino moderato e Allegro vivo (Smetana)' came out on December 6, 2005. With this song being about 5 minutes long, at 4:56, "From the Homeland, Two Pieces for Violin and Piano - Andantino moderato e Allegro vivo (Smetana)" by James Ehnes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 28 in the song's album "Romantic Pieces (Dvorak, Janacek, Smetana)". In this album, this song's track order is #2. The popularity of From the Homeland, Two Pieces for Violin and Piano - Andantino moderato e Allegro vivo (Smetana) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With From the Homeland, Two Pieces for Violin and Piano - Andantino moderato e Allegro vivo (Smetana) by James Ehnes having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 97 BPM | ||
Caprice No. 2 in B Minor: Moderato | Niccolò Paganini, James Ehnes | B Minor | 3 | 10A | 104 BPM | ||
Violin Concerto: Fly Forward | Jennifer Higdon, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Minor | 3 | 8A | 139 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 3 | 10B | 112 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo (Allegro vivo) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
12 Bagatelles, Op. 13: No. 9. L'abeille (The Bee) | Franz Francois Schubert, Leonidas Kavakos, Péter Nagy | E Minor | 3 | 9A | 113 BPM | ||
Violin Sonata in B Minor, P. 110: II. Andante espressivo | Ottorino Respighi, James Ehnes, Andrew Armstrong | E Minor | 1 | 9A | 111 BPM | ||
Theme original varie, Op. 15: Variations on an Original Theme in A Major, Op. 15 | Henryk Wieniawski, James Ehnes, Eduard Laurel | A Major | 1 | 11B | 64 BPM |
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