"Harmonies des bois, Op. 76: 2. Jacqueline’s Tears (Arr. Cello & Orchestra) - Live" by Jacques Offenbach, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla was released on July 2, 2021. Since Harmonies des bois, Op. 76: 2. Jacqueline’s Tears (Arr. Cello & Orchestra) - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 60 in the song's album "Offenbach". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Harmonies des bois, Op. 76: 2. Jacqueline’s Tears (Arr. Cello & Orchestra) - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Harmonies des bois, Op. 76: 2. Jacqueline’s Tears (Arr. Cello & Orchestra) - Live by Jacques Offenbach, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov : Rhapsody on a Theme of Paganini Op.43 : XI Variations No.19 - No.22 | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | B Minor | 0 | 10A | 77 BPM | ||
Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM | ||
Abodah (God's Worship) (Arr. for Cello) | Ernest Bloch, Sheku Kanneh-Mason | D Minor | 2 | 7A | 110 BPM | ||
Piano Concerto No.1 in E minor, Op.11: 2. Romance (Larghetto) | Frédéric Chopin, YUNDI, Philharmonia Orchestra, Andrew Davis | E Major | 0 | 12B | 87 BPM | ||
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM | ||
Londonderry Air "Farewell to Cucullain" (Arr. Kreisler for Violin, Cello & Piano) | Traditional, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | C Major | 1 | 8B | 101 BPM | ||
Sibelius: Belshazzar's Feast, Incidental Music: II. (b) The Jewish Girl's Song | Jean Sibelius, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony Orchestra | B Minor | 0 | 10A | 90 BPM | ||
4 Sketches, Op. 15: III. Dreaming | Amy Beach, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 93 BPM | ||
Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) | Lavinia Meijer | D♭ Major | 0 | 3B | 141 BPM |
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