Narciso Yepes's 'Estudio en Mi Menor' came out on January 27, 1953. The duration of Estudio en Mi Menor is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Estudio en Mi Menor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Presenting Narciso Yepes". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. In terms of popularity, Estudio en Mi Menor is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Estudio en Mi Menor by Narciso Yepes having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Guitar Concerto in A Minor: II. Romanza | Salvador Bacarisse, Narciso Yepes, La Orquesta Filarmonía de España, Rafael Frühbeck de Burgos | F♯ Minor | 1 | 11A | 95 BPM | ||
Concierto de Aranjuez für Gitarre und Orchester: I. Allegro con spirito | Slowakisches Kammerorchester, Jozef Zsapka, Bohdan Warchal | G Major | 1 | 9B | 129 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM | ||
Iberia: 2. Albaicin | Juan Manuel Canizares, Paco de Lucía, Jose Maria Bandera | G Major | 10 | 9B | 126 BPM | ||
Concerto For Lute, 2 Violins And Continuo In D Major, RV 93: 3. Allegro | Antonio Vivaldi, Narciso Yepes, Orchestre de Chambre Paul Kuentz, Paul Kuentz | A Major | 3 | 11B | 115 BPM | ||
La paloma (Arr. for Guitar by Francisco Tárrega) | Sebastián Iradier, Pablo Sainz Villegas | D Major | 0 | 10B | 128 BPM |
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