Hans Christian Lumbye, Holger Simon Paulli, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen made "Le Conservatoire, "Newspaper Courtship": Act II: The restaurateur Larose is busy arranging everything" available on January 1, 2005. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, Le Conservatoire, "Newspaper Courtship": Act II: The restaurateur Larose is busy arranging everything's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Le Conservatoire, "Newspaper Courtship": Act II: The restaurateur Larose is busy arranging everything by Hans Christian Lumbye, Holger Simon Paulli, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caprice Russe (Russian Capriccio), Op. 102 | Anton Rubinstein, USSR State Symphony Orchestra, Yevgeny Svetlanov | E♭ Major | 3 | 5B | 109 BPM | ||
Mozart: Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra | D♭ Minor | 2 | 12A | 93 BPM | ||
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): II. Maestoso - Allegro - Piu allegro - Molto allegro - Pesante | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | G Major | 2 | 9B | 101 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Bulgaren-marsch | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 4 | 11B | 120 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 0 | 5A | 71 BPM | ||
Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
Schlaflied | Latvian Philharmonic Chamber Orchestra, Riga Radio Choir, Ilmar Lapinsch | G Major | 1 | 9B | 81 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Im süßen Traum, Op. 31 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM |
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