Mario del Monaco's 'Andrea Chenier: Come Un Bel Dì Di Maggio' had a release date set for 1957. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Andrea Chenier: Come Un Bel Dì Di Maggio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario del Monaco, Orchestra Sinfonica Di Milano's "I Grandi Tenori" album is number 14 out of 14. Andrea Chenier: Come Un Bel Dì Di Maggio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chenier: Come Un Bel Dì Di Maggio by Mario del Monaco to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Danza | Gioachino Rossini, Juan Diego Flórez, Avi Avital, Filarmonica Gioachino Rossini, Carlo Tenan | E♭ Minor | 6 | 2A | 155 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
Lohengrin / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Franci | A Major | 2 | 11B | 60 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
The Merry Widow / Act 2: Duet: Love unspoken, love unbroken | Franz Lehár, Werner Krenn, Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 86 BPM | ||
Torna a Surriento | Mario del Monaco | A♭ Major | 2 | 4B | 129 BPM | ||
Tosti / Arr Schifrin: Around the World Part 7: Marechiare | Francesco Paolo Tosti, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | A♭ Minor | 2 | 1A | 139 BPM | ||
Norma: Act I: Vanne, si, mi lascia, indegno (Norma, Adalgisa, Pollione) | Vincenzo Bellini, Mario del Monaco, Nicola Zaccaria, Maria Callas, Giulietta Simionato, Gabriella Carturan, Giuseppe Zampieri, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | G Major | 7 | 9B | 109 BPM |