"Tacea la Notte Placida - Il Trovatore Atto I" by Renata Tebaldi was released on March 3, 1950. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Renata Tebaldi's "L'incredibile Renata Tebaldi" album is number 5 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Tacea la Notte Placida - Il Trovatore Atto I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tacea la Notte Placida - Il Trovatore Atto I by Renata Tebaldi to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Favorita - Italian version / Act 4: Spirto gentil | Gaetano Donizetti, Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes | B♭ Major | 1 | 6B | 81 BPM | ||
Cecilia - opera / Prologue: "Per l'amor di Gesù" - (L'Annunzio) | Licinio Refice, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | D♭ Major | 3 | 3B | 68 BPM | ||
L'amico Fritz / Act 2: "Suzel, buon di" | Pietro Mascagni, Cecilia Bartoli, Luciano Pavarotti, London Voices, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 1 | 11B | 71 BPM | ||
Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
Si, Mi Chiamano Mimi (La Bohème) | Renata Tebaldi, Professori d´Orchestra e Artisti del Coro della Scala | D Major | 2 | 10B | 82 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM | ||
Flotow: Martha / Act 3 - "M'appari" | Luciano Pavarotti, Richard Bonynge, New Philharmonia Orchestra | E Major | 3 | 12B | 125 BPM | ||
Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | A Minor | 1 | 8A | 168 BPM | ||
Ich Bin Der Welt... (Ruckert - Lider N°5) | José van Dam | E♭ Major | 1 | 5B | 68 BPM |
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