Liberace's 'Tchaikovsky's Piano Concerto No 1' came out on 1969. The duration of Tchaikovsky's Piano Concerto No 1 is about 3 minutes long, at 3:17. Based on our data, "Tchaikovsky's Piano Concerto No 1" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Liberace's "Liberace's Greatest Hits" album is number 3 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Tchaikovsky's Piano Concerto No 1 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tchaikovsky's Piano Concerto No 1 by Liberace to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Madama Butterfly / Act 2: "Coro a bocca chiusa" (Humming Chorus) | Giacomo Puccini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | G Major | 2 | 9B | 139 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba" | George Frideric Handel, Budapest Strings | B♭ Major | 2 | 6B | 107 BPM | ||
The Londonderry Air | Hamilton Harty, Bryden Thomson, Ulster Orchestra, Pan Hon Lee | C Major | 1 | 8B | 91 BPM | ||
Blue Tango | Liberace | A♭ Major | 5 | 4B | 139 BPM | ||
The Prince of Denmark's March | Jeremiah Clarke, Wynton Marsalis, Anthony Newman, English Chamber Orchestra | D Major | 2 | 10B | 127 BPM | ||
End Titles | Barrington Pheloung, London Metropolitan Orchestra | G Major | 2 | 9B | 124 BPM | ||
Las Verdes y Bellas Campiñas | Orquesta Concierto de Viena | B♭ Major | 3 | 6B | 88 BPM | ||
The Planets, Op. 32: IV. Jupiter, The Bringer Of Jollity | Gustav Holst, Boston Symphony Orchestra, William Steinberg | G Minor | 3 | 6A | 134 BPM | ||
I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM |
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