"La Tabernera del Puerto, Act 3: ¡Son ellos! Era verdad. ¡Salvadlos!" by Pablo Sorozábal, Alfredo Kraus, Orquestra De Conciertos De Madrid, Jorge Algorta, Renato Cesari was released on September 8, 2023. The duration of La Tabernera del Puerto, Act 3: ¡Son ellos! Era verdad. ¡Salvadlos! is about 3 minutes long, at 3:17. Based on our data, "La Tabernera del Puerto, Act 3: ¡Son ellos! Era verdad. ¡Salvadlos!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pablo Sorozábal, Alfredo Kraus, Renato Cesari, Orquestra De Conciertos De Madrid's "La Tabernera del Puerto - Alfredo Kraus" album is number 18 out of 18. On top of that, United States appears to be the country where this track was created. The popularity of La Tabernera del Puerto, Act 3: ¡Son ellos! Era verdad. ¡Salvadlos! is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Tabernera del Puerto, Act 3: ¡Son ellos! Era verdad. ¡Salvadlos! by Pablo Sorozábal, Alfredo Kraus, Orquestra De Conciertos De Madrid, Jorge Algorta, Renato Cesari to be Presto (very, very fast) because the track has a tempo of 187 BPM, a half-time of 94BPM, and a double-time of 374 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
Carmen (1997 - Remaster), Act I: Que se passe-t-il donc là-bas?...Au secours! | Georges Bizet, Jacques Mars/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 3 | 10B | 75 BPM | ||
Cruz de Mayo (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | G Minor | 4 | 6A | 107 BPM | ||
La verbena de la Paloma: Coplas de don Hilarión | Pablo Sorozábal | B♭ Major | 3 | 6B | 135 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
El Barón Gitano | Gran Orquesta Vienesa | C Major | 4 | 8B | 108 BPM | ||
Siempre En Mi Corazon | Christophe Belliveau, Jean-Pierre Mérault | D♭ Major | 2 | 3B | 100 BPM | ||
Roméo et Juliette, CG 9 / Act 4: Amour, ranime mon courage | Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 1 | 7B | 88 BPM | ||
El Amor brujo: Quadre Primer: Introduccion y escena | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | A♭ Major | 0 | 4B | 77 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM |
Section: 0.6503646373748779
End: 0.6551878452301025