"Na yuzhnom beregu Krima (On the Southern Shore of the Crimea): No. 1 Gurzuf" by Modest Mussorgsky, Jenő Jandó was released on March 21, 1991. With this song being about 5 minutes long, at 5:23, "Na yuzhnom beregu Krima (On the Southern Shore of the Crimea): No. 1 Gurzuf" by Modest Mussorgsky, Jenő Jandó is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Modest Mussorgsky, Jenő Jandó's "Mussorgsky: Pictures at an Exhibition / Balakirev: Islamey" album is number 4 out of 6. In terms of popularity, Na yuzhnom beregu Krima (On the Southern Shore of the Crimea): No. 1 Gurzuf is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Na yuzhnom beregu Krima (On the Southern Shore of the Crimea): No. 1 Gurzuf by Modest Mussorgsky, Jenő Jandó to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Pictures at an Exhibition: Promenade | Modest Mussorgsky, Evgeny Kissin | F Major | 2 | 7B | 112 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM |
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