"Dominus illuminatio mea: IV. Chor "Qui tribulant me inimici mei"" by Franz Tunder, Collegium Vocale Gent, Philippe Herreweghe was released on 2000. With Dominus illuminatio mea: IV. Chor "Qui tribulant me inimici mei" being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 36 in Deutsche Kantaten by Philippe Herreweghe, Collegium Vocale Gent. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Dominus illuminatio mea: IV. Chor "Qui tribulant me inimici mei" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dominus illuminatio mea: IV. Chor "Qui tribulant me inimici mei" by Franz Tunder, Collegium Vocale Gent, Philippe Herreweghe is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (b) Libera eas de ore leonis | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | A Major | 2 | 11B | 114 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: III. Ad manus. "Quid sunt plagae istae" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Michael Chance, Christoph Prégardien, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | D Major | 1 | 10B | 130 BPM | ||
Der Tod ist verschlungen | Andreas Hammerschmidt, Vox Luminis, Lionel Meunier | D Minor | 2 | 7A | 67 BPM | ||
Harpsichord/William Byrd: Watkins Ale, Lavolta, Lord Willoughby's Welcome Home, The Carmans Whistle | William Byrd, Trevor Pinnock | C Major | 2 | 8B | 103 BPM | ||
Corrente dicha la Cuella | Andrea Falconieri, La Ritirata, Josetxu Obregon | A Minor | 2 | 8A | 105 BPM | ||
Le Bourgeois gentilhomme, LWV 43: Canaries | Jean-Baptiste Lully, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Minor | 2 | 5A | 84 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | ||
Nisi Dominus, RV 608: VII. Gloria patri | Antonio Vivaldi, Syste Bulwalda, Netherlands Bach Collegium, Pieter Jan Leusink | D♭ Minor | 0 | 12A | 170 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Singer Pur | E♭ Major | 1 | 5B | 135 BPM |
Section: 0.6756622791290283
End: 0.6799261569976807