William Byrd, Trevor Pinnock made "Harpsichord/William Byrd: Watkins Ale, Lavolta, Lord Willoughby's Welcome Home, The Carmans Whistle" available on 2003. Since Harpsichord/William Byrd: Watkins Ale, Lavolta, Lord Willoughby's Welcome Home, The Carmans Whistle is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 16th Century English Harpsichord and Virginals Music, so we believe that "Harpsichord/William Byrd: Watkins Ale, Lavolta, Lord Willoughby's Welcome Home, The Carmans Whistle" is a single. In terms of popularity, Harpsichord/William Byrd: Watkins Ale, Lavolta, Lord Willoughby's Welcome Home, The Carmans Whistle is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harpsichord/William Byrd: Watkins Ale, Lavolta, Lord Willoughby's Welcome Home, The Carmans Whistle by William Byrd, Trevor Pinnock is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Gloria tibi Trinitas: Sanctus | John Taverner, Christ Church Cathedral Choir, Oxford, Stephen Darlington | D Minor | 2 | 7A | 71 BPM | ||
Abendlied | Conrad Beck, Basler Madrigalisten, Raphael Immoos | C Minor | 1 | 5A | 112 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: II. Sanctus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 127 BPM | ||
Aeterna Christi munera et martyrum victorias | Saint Ambrose, Le Concert Spirituel, Herve Niquet | C Major | 0 | 8B | 70 BPM | ||
Salve Regina pour soprano, contre-ténor et basse continue: I. Salve Regina (Adagio) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | A♭ Major | 3 | 4B | 124 BPM | ||
Come away, come, sweet love | John Dowland, Amarcord | E Major | 2 | 12B | 66 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM |
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