Orlando Gibbons, Phillip W. Serna's 'Orlando Gibbons (bap.1583-1625) - Fantasia à3 in d, VdGS No.3GB, Oxford. Christ Church, Mss.732-35 (ca.1630)' came out on October 15, 2020. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 27 in the song's album "Size Matt’reth Not - The Compleat Fantazias for 2 Treble Viols & the 3 & 4-part Consorts for the 'Great Dooble Base' by Orlando Gibbons (bap.1583-1625)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Orlando Gibbons (bap.1583-1625) - Fantasia à3 in d, VdGS No.3GB, Oxford. Christ Church, Mss.732-35 (ca.1630) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orlando Gibbons (bap.1583-1625) - Fantasia à3 in d, VdGS No.3GB, Oxford. Christ Church, Mss.732-35 (ca.1630) by Orlando Gibbons, Phillip W. Serna having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
De profundis, "Psalm 129" | Josquin des Prez, Bremen Weser-Renaissance, Manfred Cordes | A Minor | 2 | 8A | 134 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Pavan | Orlando Gibbons, The Rose Consort Of Viols | F♯ Major | 1 | 2B | 79 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 132 BPM | ||
Fantasie II | Jordi Savall, Orlando Gibbons | F♯ Minor | 0 | 11A | 134 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 4 | 8B | 149 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM |
Section: 0.6468768119812012
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