- BPM
- 176
- Key
- G Major
- Camelot
- 9B
Missa pro Defunctis (1544): Tractus: "Absolve, Domine" - Cristobal de Morales, Gabrieli, Paul McCreesh Information
- Acousticness
- 99%
- Danceability
- 10%
- Energy
- 16%
- Instrumentalness
- 1%
- Liveness
- 9%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 19%
- Popularity
- 7%
- Loudness
- -21.716 dB
Summary
"Missa pro Defunctis (1544): Tractus: "Absolve, Domine"" by Cristobal de Morales, Gabrieli, Paul McCreesh was released on January 1, 1998. The duration of Missa pro Defunctis (1544): Tractus: "Absolve, Domine" is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Missa pro Defunctis (1544): Tractus: "Absolve, Domine"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cristobal de Morales, Gabrieli, Paul McCreesh's "Morales: Requiem - Music for Philip II" album is number 8 out of 19. On top of that, Germany appears to be the country where this track was created. The popularity of Missa pro Defunctis (1544): Tractus: "Absolve, Domine" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Missa pro Defunctis (1544): Tractus: "Absolve, Domine" BPM
We consider the tempo marking of Missa pro Defunctis (1544): Tractus: "Absolve, Domine" by Cristobal de Morales, Gabrieli, Paul McCreesh to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Missa pro Defunctis (1544): Tractus: "Absolve, Domine" Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | |
 | 3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | |
 | 3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM | |
 | Veni, Lumen Cordium | Margaret Rizza | F Minor | 1 | 4A | 75 BPM | |
 | Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | |
 | Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | |
 | Communion: O sacrum convivium à 5 | Andrea Gabrieli, Gabrieli, Paul McCreesh | C Major | 0 | 8B | 135 BPM | |
 | Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | |
 | Lux aeterna (choral arr. of Elgar's Nimrod Variation) | John Cameron, Choir of St John's, Elora, Noel Edison | D♭ Major | 1 | 3B | 84 BPM | |
 | Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM |
- ISRC
- DEF059731108
- Label
- L-M Records/RCA Records
Section: 0.6460938453674316
End: 0.6506001949310303