"The Land of the Mountain and the Flood - Overture Op. 3 - 1988 Remastered Version" by Hamish MacCunn, Maurice Handford, Hallé had its release date on October 1, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Maurice Handford/Hallé Orchestra, Maurice Handford, Hallé's "Hallé Encore!" album is number 4 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Land of the Mountain and the Flood - Overture Op. 3 - 1988 Remastered Version's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Land of the Mountain and the Flood - Overture Op. 3 - 1988 Remastered Version by Hamish MacCunn, Maurice Handford, Hallé to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
Fanfare on Amazing Grace | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | G Major | 3 | 9B | 114 BPM | ||
Suite bergamasque: Clair de lune | Andre Caplet, Claude Debussy, Gustave Cloez, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 68 BPM | ||
Jeanie Deans, Opera: II. I Love a Lass (Dumbiedykes) | Hamish MacCunn, Martyn Brabbins, Stephen Gadd, BBC Scottish Symphony Orchestra | C Major | 0 | 8B | 85 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Khachaturian : Spartacus, Suite No. 2: I. Adagio of Spartacus & Phrygia | Aram Khachaturian, Alexander Lazarev, Bolshoi Symphony Orchestra | D♭ Major | 1 | 3B | 175 BPM | ||
Requiem: Agnus Dei | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver | G Major | 0 | 9B | 89 BPM | ||
Capriccio Espagnol, Op.34: 5. Fandango asturiano | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 3 | 11B | 75 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
Judex - Mors et Vita | Charles Gounod, Royal Liverpool Philharmonic Orchestra, Libor Pešek | F♯ Major | 1 | 2B | 85 BPM |