"Requiem: Agnus Dei" by Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver was released on March 3, 2023. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg, Andrew Thompson's "Matthew Coleridge: Requiem" album is number 6 out of 14. Requiem: Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: Agnus Dei by Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
Brightest and Best Are the Sons of the Morning (Epiphany) | Joseph Francis Thrupp, Rupert Gough, Malcolm Archer, Wells Cathedral Choir | G Major | 2 | 9B | 88 BPM | ||
When David Heard | Thomas Weelkes, Samuel Rathbone, The Choir of Royal Holloway, Rupert Gough | B Major | 1 | 1B | 129 BPM | ||
Elijah, Op.70: No. 1 - Help, Lord! Wilt thou quite destroy us? (chorus) | Felix Mendelssohn, Gwyneth Jones, Rafael Frühbeck de Burgos | D Minor | 2 | 7A | 69 BPM | ||
Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
Ave verum corpus | William Byrd, The Boys & Men of Wells Cathedral Choir, Malcolm Archer, Rupert Gough | A Minor | 0 | 8A | 129 BPM | ||
The Prince Of Denmark's March | Jeremiah Clarke, Simon Preston | D Major | 1 | 10B | 73 BPM | ||
Tell Out, My Soul (Woodlands) | Walter Greatorex, Rupert Gough, Malcolm Archer, Wells Cathedral Choir | F♯ Major | 0 | 2B | 99 BPM | ||
Handel: Ode for the Birthday of Queen Anne, HWV 74: I. Aria "Eternal Source of Light Divine" (Countertenor) | George Frideric Handel, Iestyn Davies, Trevor Pinnock | D♭ Major | 1 | 3B | 112 BPM | ||
Materna Requiem: 10. In Paradisum: If I Should Go | Rebecca Dale, Kantos Chamber Choir, Clark Rundell | B♭ Major | 1 | 6B | 133 BPM |
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