"Evening Service in E Major: II. Nunc dimittis" by Charles Wood, Choir of New College, Oxford, Edward Higginbottom was released on January 6, 1997. The duration of Evening Service in E Major: II. Nunc dimittis is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Evening Service in E Major: II. Nunc dimittis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Choir of New College, Oxford, Edward Higginbottom, Christopher Glynn's "Magnificat & Nunc dimittis, Vol. 15" album is number 9 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Evening Service in E Major: II. Nunc dimittis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Evening Service in E Major: II. Nunc dimittis by Charles Wood, Choir of New College, Oxford, Edward Higginbottom to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Music, When Soft Voices Die | Charles Wood, National Youth Choir Of Great Britain, Michael Brewer | E♭ Major | 4 | 5B | 136 BPM | ||
The Lily and the Rose - SATB | Bob Chilcott, The Oxford Choir | A Minor | 1 | 8A | 76 BPM | ||
Oculi Omnium | Charles Wood, Monks And Choirboys Of Downside Abbey, David Lawson, Dom Dunstan O'Keeffe | E Major | 1 | 12B | 95 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
O Lord, Thou Hast Searched Me Out, and Known Me (Psalm 139) | Highmore Skeats, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | E♭ Major | 2 | 5B | 84 BPM | ||
O Thou, the Central Orb | Charles Wood, Guildford Cathedral Choir, Peter Wright, Andrew Millington | B Minor | 0 | 10A | 63 BPM | ||
Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | A Major | 0 | 11B | 77 BPM | ||
Shakespeare Songs, Book 3: I. It was a lover and his lass | Aaron Harris, Phoenix Bach Choir, Charles Bruffy | A♭ Major | 1 | 4B | 67 BPM |
Section: 0.5133862495422363
End: 0.5168867111206055