"À cette voix...Je crois entendre encore (Nadir) - 1990 Remastered Version" by Eugene Cormon, Georges Bizet, Michel Carre, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra was released on January 6, 2012. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 15 in Bizet: Les Pêcheurs des Perles by Georges Bizet, Georges Prêtre. À cette voix...Je crois entendre encore (Nadir) - 1990 Remastered Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of À cette voix...Je crois entendre encore (Nadir) - 1990 Remastered Version by Eugene Cormon, Georges Bizet, Michel Carre, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fünf Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | D Major | 0 | 10B | 95 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 1: "Dieux ! Le malheur en tous lieux suit mes pas" - "De noirs pressentiments" (Thoas, Iphigénie) | Christoph Willibald Gluck, Georges Prêtre, Louis Quilico, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 4 | 10A | 114 BPM | ||
Otello / Act IV: Ave Maria, piena di grazia | Giuseppe Verdi, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Minor | 0 | 9A | 81 BPM | ||
Stabat Mater: 1. Stabat Mater dolorosa | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 0 | 6A | 83 BPM | ||
La Traviata: Choeur des bohémiens | Orchestre symphonique de la Radiodiffusion bavaroise | A Major | 2 | 11B | 122 BPM | ||
Cilea: Adriana Lecouvreur: Io son l'umile ancella - Act One | Montserrat Caballé | A♭ Major | 4 | 4B | 139 BPM | ||
Lucia di Lammermoor: Act III: Eccola! Oh, giusto cielo!... Il dolce suono | Gaetano Donizetti, Pretty Yende, Giacomo Sagripanti | F Minor | 1 | 4A | 79 BPM | ||
Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | ||
Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) | Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | F Major | 0 | 7B | 139 BPM |
Section: 0.6442792415618896
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