Orchestre de Russie, Dmitry Yablonsky made "Le Lac des cygnes, Acte III Scène 21: Danse espagnole (Allegro non troppo - Tempo di bolero)" available on October 18, 2017. The duration of Le Lac des cygnes, Acte III Scène 21: Danse espagnole (Allegro non troppo - Tempo di bolero) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Le Lac des cygnes, Acte III Scène 21: Danse espagnole (Allegro non troppo - Tempo di bolero)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Natalie Dessay, Orchestre de Russie, Dmitry Yablonsky's "Le lac des cygnes" album is number 13 out of 17. In terms of popularity, Le Lac des cygnes, Acte III Scène 21: Danse espagnole (Allegro non troppo - Tempo di bolero) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le Lac des cygnes, Acte III Scène 21: Danse espagnole (Allegro non troppo - Tempo di bolero) by Orchestre de Russie, Dmitry Yablonsky to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danse hongroise n°2 en ré mineur: Allegro non assai vivace | Johannes Brahms, Orchestre Symphonique Mav de Budapest, Kurt Redel | B Minor | 3 | 10A | 131 BPM | ||
Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | F Major | 1 | 7B | 81 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
La filleule des fees: Act II - Tableau I (A Wooded Park): No. 4d (No. 8) Mme Taglioni (Flute Variation) | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 63 BPM | ||
Fantasia dall'Austria: "Le Desir" su un tema di Franz Schubert, Op.2: VII. Variazione V Rondò allegretto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | A♭ Major | 4 | 4B | 107 BPM | ||
La jolie fille de Gand: Scene 3 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | D Minor | 0 | 7A | 97 BPM | ||
Il Trovatore, Act II: "Vedi! Le fosche nolturne spogile" (Anvil Chorus) [Arr. E. Kunzel & C. Beck] | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 97 BPM | ||
Earth Wind and Fire | Aileen | D♭ Major | 1 | 3B | 105 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: IV. Andante | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | C Major | 0 | 8B | 63 BPM | ||
Serenade for Strings in E Major, Op. 22/B. 52: II. Tempo di Valse | Antonín Dvořák, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM |
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