"Birtwistle: Tragoedia: III. Episodion, 3. Antistrophe I" by Harrison Birtwistle, Melos Ensemble, Lawrence Foster was released on February 21, 2011. With Birtwistle: Tragoedia: III. Episodion, 3. Antistrophe I being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Melos Ensemble's "Icon: Melos Ensemble" album is number 12 out of 151. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Birtwistle: Tragoedia: III. Episodion, 3. Antistrophe I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Birtwistle: Tragoedia: III. Episodion, 3. Antistrophe I by Harrison Birtwistle, Melos Ensemble, Lawrence Foster to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Armed Man (Ensemble Version): VIII. Angry Flames | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
Three Rags: Poltergeist (arr. by Hamilton Berry) | William Bolcom, William Bolcom (arranged by Hamilton Berry), Decoda | C Major | 1 | 8B | 95 BPM | ||
Chants de Terre et de Ciel: No. 1, Bail avec Mi (pour ma femme) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | D Major | 0 | 10B | 66 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Three Miniatures for Solo Violin: I. A Lullaby for Lalit | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Tragoedia: Exodos | Harrison Birtwistle, Ensemble Intercontemporain, Pierre Boulez | C Minor | 2 | 5A | 84 BPM | ||
Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) | RTÉ National Symphony Orchestra, Havergal Brian | F Minor | 0 | 4A | 85 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 2. Langsam | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | C Major | 0 | 8B | 95 BPM | ||
Cello Concerto: II. Gavotta | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | A Major | 2 | 11B | 105 BPM |
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