"Dom Sébastien: Seul sur la terre" by Gaetano Donizetti, Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin was released on November 26, 2022. With this song being about 5 minutes long, at 5:09, "Dom Sébastien: Seul sur la terre" by Gaetano Donizetti, Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 108 out of 131 in Donizetti: Essential Recordings by Gaetano Donizetti. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Dom Sébastien: Seul sur la terre is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dom Sébastien: Seul sur la terre by Gaetano Donizetti, Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
Soli soli nella notte | Leo Nucci, Salotto Ottocento Ensemble | F Major | 3 | 7B | 64 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | ||
La fille du régiment: Overture | Gaetano Donizetti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 130 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
L'elisir d'amore / Act 2: "La donna è un animale...Venti scudi" | Gaetano Donizetti, Dominic Cossa, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | A Major | 1 | 11B | 74 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM |
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