Chor der St. Hedwigs-Kathedrale Berlin's 'Symphony No. 9 in D minor, Op. 125: Dir, Dir Jehova, will ich singen (Choral)' came out on 1979. The duration of Symphony No. 9 in D minor, Op. 125: Dir, Dir Jehova, will ich singen (Choral) is about 3 minutes long, at 3:10. Based on our data, "Symphony No. 9 in D minor, Op. 125: Dir, Dir Jehova, will ich singen (Choral)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 15 in Die Himmel rühmen by Various Artists. The popularity of Symphony No. 9 in D minor, Op. 125: Dir, Dir Jehova, will ich singen (Choral) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in D minor, Op. 125: Dir, Dir Jehova, will ich singen (Choral) by Chor der St. Hedwigs-Kathedrale Berlin is Presto (very, very fast), since this song has a tempo of 200 BPM. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach: Toccata d-moll BWV 565 | Conrad Zwicky | D Minor | 1 | 7A | 105 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | E Major | 1 | 12B | 131 BPM | ||
Mass in D, Op. 123 "Missa Solemnis" / 4. Sanctus - Adagio (Mit Andacht): Pleni sunt coeli et terra | Ludwig van Beethoven, Wolfgang Meyer, Chor der St. Hedwigs-Kathedrale Berlin, Berliner Philharmoniker, Karl Böhm | D Major | 5 | 10B | 103 BPM | ||
The Moldau (From Má Vlast), JB 1:112 - Version 1960 | Bedřich Smetana, Berliner Philharmoniker, Ferenc Fricsay | E Minor | 2 | 9A | 85 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragen | Johannes Brahms, Dietrich Fischer-Dieskau, Elisabeth Grümmer, Chor der St. Hedwigs-Kathedrale Berlin, Berliner Philharmoniker, Rudolf Kempe | F Major | 2 | 7B | 74 BPM | ||
Pomp and Circumstance, Op. 39: March No. 1 in D Major. Allegro con molto fuoco - Trio - Largamente | Edward Elgar, Daniel Barenboim, London Philharmonic Orchestra | C Major | 1 | 8B | 100 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Minor | 0 | 9A | 89 BPM | ||
Schone Nacht | Wilhelm Nigel, Camerata Musica Limburg, Jan Schumacher | D♭ Major | 0 | 3B | 75 BPM | ||
Schubert: Der Erlkönig | Johann Wolfgang von Goethe, Franz Schubert, Andreas Burkhart, Akemi Murakami | F Minor | 2 | 4A | 67 BPM | ||
Messa da Requiem: Requiem - Dies Irae | Giuseppe Verdi, Gabor Carelli, Ivan Sardi, Maria Stader, Oralia Dominguez, Chor der St. Hedwigs-Kathedrale Berlin, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | D Major | 0 | 10B | 108 BPM |
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