"Psalmi Davidis poenitentiales: Psalmus Secundus Poenitentialis "Beati, quorum remissae sunt iniquitates"" by Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe was released on July 31, 2007. Psalmi Davidis poenitentiales: Psalmus Secundus Poenitentialis "Beati, quorum remissae sunt iniquitates" appears to be safe for all ages as it is not explicit. The track order of this song in Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe's "Lassus: Psalmi Davidis poenitentiales" album is number 2 out of 7. Based on our statistics, Psalmi Davidis poenitentiales: Psalmus Secundus Poenitentialis "Beati, quorum remissae sunt iniquitates"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalmi Davidis poenitentiales: Psalmus Secundus Poenitentialis "Beati, quorum remissae sunt iniquitates" by Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
O Fire of the Spirit and Defender | Monks Of The Abbey Of Notre Dame, Gregorian Chants | D Minor | 2 | 7A | 111 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Lassus: Alma Redemptoris Mater | Orlande de Lassus, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 69 BPM | ||
Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM | ||
Huc me sidereo | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Ogn'hor per voi sospiro | Philippe Verdelot, Capilla Flamenca | G Minor | 1 | 6A | 78 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM |
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