"Waltzes, No. 1 in A-Flat Major, op. 69" by Peter Schmalfuss was released on 1991. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Peter Schmalfuss, Bianca Sitzius's "Music For The Millions Vol. 34 - Schumann/Chopin" album is number 11 out of 15. Waltzes, No. 1 in A-Flat Major, op. 69 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Waltzes, No. 1 in A-Flat Major, op. 69 by Peter Schmalfuss to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse Op. 16 | Gabriel Fauré, Slovak Radio Symphony Orchestra, Keith Clark | D Major | 1 | 10B | 127 BPM | ||
Cavalleria Rusticana: Intermezzo | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Major | 2 | 7B | 82 BPM | ||
Deux Arabesques, L 66: No. 1 | Henrik Måwe | E Major | 1 | 12B | 60 BPM | ||
Salute D'Amour | Edward Elgar, Ilmar Lapinsch, Mostar Sinfonie Orchester | E Major | 1 | 12B | 128 BPM | ||
La séparation "Nocturne in F Minor": La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 73 BPM | ||
Klavierkonzert Nr. 1 C-Dur op. 15 - III. Allegro scherzando | Czech Symphony Orchestra, Peter Schmalfuss | C Major | 3 | 8B | 141 BPM | ||
Etude, op. 10/5, Ges-Dur: Vivace | Peter Schmalfuss | B♭ Major | 2 | 6B | 97 BPM | ||
Fantasiestücke op. 12 - I. Des Abends | Peter Schmalfuss | D♭ Major | 0 | 3B | 97 BPM | ||
Etude, op. 10/12, C-Moll: Allegro con fuoco | Peter Schmalfuss | B♭ Major | 2 | 6B | 97 BPM | ||
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM |
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