"Fantasiestücke op. 12 - I. Des Abends" by Peter Schmalfuss was released on November 27, 2001. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "The 5 Piano-Concertos". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Fantasiestücke op. 12 - I. Des Abends is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasiestücke op. 12 - I. Des Abends by Peter Schmalfuss having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto | Dubravka Tomšič | D♭ Minor | 0 | 12A | 72 BPM | ||
Danza Española para violon y piano, Op. 26: No. 1, Vito | Aaron Rosand, Peter Schmalfuss | E♭ Major | 2 | 5B | 115 BPM | ||
" Rêves " ohne op. 4: Au Salon | Bedřich Smetana, Peter Schmalfuss | E Major | 2 | 12B | 99 BPM | ||
Waltz In E-Flat Major, Op. 18 | Krzysztof Jablonski, Stanislav Bunin, Evelyne Dubourg, Jean-Marc Luisada, Yuval Fichman | A♭ Major | 1 | 4B | 83 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Cavalleria Rusticana I - Intermezzo | Heribert Beissel | F Major | 1 | 7B | 81 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Cecile Ousset | E Minor | 1 | 9A | 134 BPM | ||
Lieder ohne Worte, Op.30: No. 1. Andante espressivo In E Flat, MWV U 103 | Felix Mendelssohn, Daniel Barenboim | E♭ Major | 0 | 5B | 69 BPM | ||
Suite Bergamasque: III. Clair de Lune | Peter Schmalfuss | D♭ Major | 0 | 3B | 130 BPM | ||
Prelude Op.11-4 E Minor | Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter Goldmann | A Minor | 0 | 8A | 114 BPM |
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