Johann Sebastian Bach, Josef Traxel, Karl Forster, Berliner Symphoniker's 'Johannespassion, BWV 245, Pt. 1 No. 13: Ach, mein Sinn, wo willst du endlich hin (Aria - Tenor)' came out on January 18, 2021. The duration of Johannespassion, BWV 245, Pt. 1 No. 13: Ach, mein Sinn, wo willst du endlich hin (Aria - Tenor) is about 3 minutes long, at 3:19. Based on our data, "Johannespassion, BWV 245, Pt. 1 No. 13: Ach, mein Sinn, wo willst du endlich hin (Aria - Tenor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Work - Bach by Johann Sebastian Bach. The song's track number on the album is #238 out of 250 tracks. Johannespassion, BWV 245, Pt. 1 No. 13: Ach, mein Sinn, wo willst du endlich hin (Aria - Tenor) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Johannespassion, BWV 245, Pt. 1 No. 13: Ach, mein Sinn, wo willst du endlich hin (Aria - Tenor) by Johann Sebastian Bach, Josef Traxel, Karl Forster, Berliner Symphoniker has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Johannespassion, BWV 245, Pt. 1 No. 13: Ach, mein Sinn, wo willst du endlich hin (Aria - Tenor) being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725) | Christian Petzold, Daniil Trifonov | G Minor | 2 | 6A | 117 BPM | ||
24 Préludes, Op. 28: No.4 in E minor - Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 111 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM |
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