Giuseppe Verdi, Teodor Currentzis's 'La Traviata, Act III - Preludio, scena e aria: Quanta Bontà... Pensate a Me Per Tempo' came out on December 4, 2020. The duration of La Traviata, Act III - Preludio, scena e aria: Quanta Bontà... Pensate a Me Per Tempo is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. La Traviata, Act III - Preludio, scena e aria: Quanta Bontà... Pensate a Me Per Tempo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 6 in Fragments Part I - "Traviata" by Giuseppe Verdi, Teodor Currentzis, musicAeterna. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, La Traviata, Act III - Preludio, scena e aria: Quanta Bontà... Pensate a Me Per Tempo's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La Traviata, Act III - Preludio, scena e aria: Quanta Bontà... Pensate a Me Per Tempo by Giuseppe Verdi, Teodor Currentzis is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Luisa Miller / Act 2: Quando le sere al placido chiaror d'un ciel stellato | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Peter Maag | A♭ Major | 2 | 4B | 93 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Aida / Act 1: Celeste Aida | Giuseppe Verdi, Andrea Bocelli, Israel Philharmonic Orchestra, Zubin Mehta | B♭ Major | 1 | 6B | 82 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM |
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