Johann Strauss II, Wiener Philharmoniker, Riccardo Muti made "Strauss II, J: An der schönen blauen Donau, Op. 314 (Recorded 2000)" available on June 24, 2022. Strauss II, J: An der schönen blauen Donau, Op. 314 (Recorded 2000) appears to be safe for all ages as it is not explicit. There are a total of 22 in the song's album "Riccardo Muti Conducts Johann Strauss II". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Strauss II, J: An der schönen blauen Donau, Op. 314 (Recorded 2000) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Strauss II, J: An der schönen blauen Donau, Op. 314 (Recorded 2000) by Johann Strauss II, Wiener Philharmoniker, Riccardo Muti having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: La traviata, Act 1: "Libiamo ne' lieti calici" (Alfredo, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Chorus) | Giuseppe Verdi, Riccardo Muti, Alfredo Kraus, Henry Newman, Renata Scotto, Richard van Allan, Roderick Kennedy, Sarah Walker, Suso Mariategui, Philharmonia Orchestra | B♭ Major | 2 | 6B | 71 BPM | ||
Suite in A Major, Op. 98b, B. 190 "American": I. Andante con moto | Antonín Dvořák, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Minor | 0 | 4A | 60 BPM | ||
Wer tanzt mit? Polka schnell, Op. 251 | Eduard Strauss, Franz Welser-Möst, Wiener Philharmoniker | D Major | 4 | 10B | 83 BPM | ||
Leichte Kavallerie: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | A Major | 3 | 11B | 126 BPM | ||
Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | C Major | 1 | 8B | 97 BPM | ||
Neujahrsgruß / New Year's Address / Allocution du Nouvel An | Riccardo Muti, Wiener Philharmoniker | D♭ Major | 1 | 3B | 112 BPM | ||
Carmen Suite No. 2: Habanera | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 0 | 10B | 127 BPM | ||
Grieg: Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | C Minor | 2 | 5A | 65 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Minor | 1 | 5A | 80 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, BBC Concert Orchestra, Barry Wordsworth | D Major | 1 | 10B | 96 BPM |
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