"Symphony No. 1 "Sinfonia di Roma": II. Scherzo" by Malcolm Lipkin, BBC Scottish Symphony Orchestra, Lionel Friend was released on April 1, 2015. Symphony No. 1 "Sinfonia di Roma": II. Scherzo is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Malcolm Lipkin, BBC Scottish Symphony Orchestra, BBC Philharmonic, Adrian Leaper, Lionel Friend's "Lipkin: The Symphonies" album is number 2 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Symphony No. 1 "Sinfonia di Roma": II. Scherzo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 "Sinfonia di Roma": II. Scherzo by Malcolm Lipkin, BBC Scottish Symphony Orchestra, Lionel Friend to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 2. Orientale | Rafael Ferrer, Enrique Granados, Barcelona Symphony and Catalonia National Orchestra, Salvador Brotons | C Minor | 0 | 5A | 81 BPM | ||
Sauguet: Tableaux de Paris: V. Le canal Saint-Martin | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
Clarinet Sonata: I. Grazioso | Leonard Bernstein, Andy Miles, Wayne Marshall | D Major | 1 | 10B | 134 BPM | ||
Tower | Eleanor Alberga, Castalian String Quartet, BBC Symphony Orchestra, Thomas Kemp | G Major | 1 | 9B | 83 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Pittsburgh Symphony Orchestra, William Steinberg | C Major | 3 | 8B | 96 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Le tombeau de Couperin, M. 68: V. Menuet - Instrumental | Maurice Ravel, Philadelphia Orchestra, Eugene Ormandy | G Major | 1 | 9B | 87 BPM | ||
Metamorphosis | Malcolm Lipkin, Duncan Honeybourne | A Major | 2 | 11B | 121 BPM |
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