St. Luke Passion: Part I: Miserere mei, Deus (Psalm 55)
Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit
Penderecki, K.: St. Luke Passion
4:04 January 22, 2004
BPM
87
Key
D♭ Major
Camelot
3B

Embed

Share Link

St. Luke Passion: Part I: Miserere mei, Deus (Psalm 55) - Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit Information

Acousticness
99%
Danceability
16%
Energy
1%
Instrumentalness
48%
Liveness
12%
Loudness
51%
Speechiness
4%
Valence
3%
Popularity
Loudness
-29.482 dB

Summary

"St. Luke Passion: Part I: Miserere mei, Deus (Psalm 55)" by Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit was released on January 22, 2004. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 27 in the song's album "Penderecki, K.: St. Luke Passion". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. St. Luke Passion: Part I: Miserere mei, Deus (Psalm 55) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

St. Luke Passion: Part I: Miserere mei, Deus (Psalm 55) BPM

With St. Luke Passion: Part I: Miserere mei, Deus (Psalm 55) by Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

St. Luke Passion: Part I: Miserere mei, Deus (Psalm 55) Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) by Johann Sebastian Bach, Gabriela MonteroMontero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042)Johann Sebastian Bach, Gabriela MonteroF♯ Minor011A73 BPM
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen by Clara Schumann, Anneleen Lenaerts, Dionysis GrammenosSchumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragenClara Schumann, Anneleen Lenaerts, Dionysis GrammenosA♭ Major04B71 BPM
Gottes Zeit ist die allerbeste Zeit, Sonatina az Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106Johann Sebastian Bach, Márta Kurtág, György KurtágE♭ Major05B74 BPM
Violin Concerto: III. Romance Without Words by Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José SerebrierViolin Concerto: III. Romance Without WordsNed Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José SerebrierF♯ Major12B66 BPM
Estampes, L. 100: 1. Pagodes by Claude Debussy, Daniel BarenboimEstampes, L. 100: 1. PagodesClaude Debussy, Daniel BarenboimB Major01B68 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezPiano Concerto in G Major, M. 83: II. Adagio assaiMaurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezE Major012B74 BPM
Spring 2 by Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de RidderSpring 2Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de RidderD♭ Minor212A174 BPM
Dido and Aeneas, Z. 626: When I am laid in earth, Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski)Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José SerebrierG Minor06A73 BPM
String Quartet No. 3 String Quartet No. 3 "Leaves from an Unwritten Diary": III. VivaceKrzysztof Penderecki, Silesian String QuartetA Major211B172 BPM
3 Pieces in Baroque Style: No. 3. Minuet No. 2 by Krzysztof Penderecki, Sinfonia Varsovia3 Pieces in Baroque Style: No. 3. Minuet No. 2Krzysztof Penderecki, Sinfonia VarsoviaD Major110B126 BPM
ISRC
HKI190249512
Label
L-M Records/RCA Records

Section: 1.6709730625152588

End: 1.6761102676391602