On January 1, 2011, the song "Acte I: "On trouve trop autour de Rose" (Opérette "No, No, Nanette")" was released by Robert de Simone, ROGER FERREOL, Paul Bonneau, Guy Fontagnere, Rogers, Duvaleix, Lina Dachary, Liliane Berton. With Acte I: "On trouve trop autour de Rose" (Opérette "No, No, Nanette") being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Rose-Marie / No, No, Nanette / Annie du Far-West (Collection "Opérette")". In this album, this song's track order is #12. Based on our statistics, Acte I: "On trouve trop autour de Rose" (Opérette "No, No, Nanette")'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Acte I: "On trouve trop autour de Rose" (Opérette "No, No, Nanette") by Robert de Simone, ROGER FERREOL, Paul Bonneau, Guy Fontagnere, Rogers, Duvaleix, Lina Dachary, Liliane Berton having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Lakmé, Act 1: Duo des Fleurs (Lakmé, Mallika) | Léo Delibes, Isabelle Valot, Romain Dumas, Orchestre National Bordeaux Aquitaine | E♭ Major | 1 | 5B | 79 BPM | ||
Les 7 paroles du Christ: 3e Parole - "Mulier, ecce filius tuus" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | ||
Spring Symphony, Op. 44, Part III: Sound the Flute (chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | B Minor | 2 | 10A | 125 BPM | ||
Golondrón | Anibal Vela | C Major | 2 | 8B | 123 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 3: No. 8, Récitatif et Choral des Epées, (b) "De l'enfer qui vient émousser nos armes" (Valentin, Wagner, Siebel, Choeur) | Charles Gounod, Ernest Blanc/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/André Cluytens, André Cluytens, Orchestre du Théâtre National de l'Opéra Paris | C Major | 3 | 8B | 84 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Los gavilanes, Acto I: No hay por qué gemir | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | F Major | 2 | 7B | 107 BPM |
Section: 0.8016345500946045
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