"Te Deum for Soloists, Chorus and Orchestra, H 146: Prelude" by Marc-Antoine Charpentier, The London Gabrieli Brass Ensemble was released on January 1, 1982. The duration of Te Deum for Soloists, Chorus and Orchestra, H 146: Prelude is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Te Deum for Soloists, Chorus and Orchestra, H 146: Prelude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "The Baroque Brass Collection". In this album, this song's track order is #19. In terms of popularity, Te Deum for Soloists, Chorus and Orchestra, H 146: Prelude is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Te Deum for Soloists, Chorus and Orchestra, H 146: Prelude by Marc-Antoine Charpentier, The London Gabrieli Brass Ensemble having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Noëls sur les instruments, H. 531, 534: Une jeune pucelle (H. 534/6) | Marc-Antoine Charpentier, Les Dominos, Les Agrémens, Chœur De Chambre De Namur, Florence Malgoire, Freddy Eichelberger | G Major | 4 | 9B | 114 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Pergolesi: Stabat Mater: II. Cujus animam gementem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | G Major | 1 | 9B | 103 BPM | ||
Antiennes "O" de l'Avent, H.36-43: Salut de la veille des O, "O salutaris hostia" | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | B Major | 1 | 1B | 135 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Mors Saülis et Jonathæ, H. 403, Seconde partie: David autem conversus (Duo ex choro, David) | Marc-Antoine Charpentier, Violaine Le Chenadec, Caroline Dangin-Bardot, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé | D♭ Minor | 1 | 12A | 88 BPM |
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