"Reaction" by Richard Wilson, Misha Amory (viola), New Zealand Symphony Orchestra, James Sedares was released on February 22, 2000. With this song being about 5 minutes long, at 4:50, "Reaction" by Richard Wilson, Misha Amory (viola), New Zealand Symphony Orchestra, James Sedares is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wilson: Symphony No. 1; Viola Sonata; Tribulations; Gnomics by Richard Wilson, Misha Amory (viola), New Zealand Symphony Orchestra, James Sedares. The song's track number on the album is #4 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Reaction's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Reaction by Richard Wilson, Misha Amory (viola), New Zealand Symphony Orchestra, James Sedares has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Reaction being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Tashi | F♯ Major | 1 | 2B | 114 BPM | ||
Piano Concerto, Op. 42: I. Andante | Arnold Schoenberg, Glenn Gould, Robert Craft, CBC Symphony Orchestra | D Major | 2 | 10B | 116 BPM | ||
Lord Chesterfield to His Son: Talk Often, But Never Long - Chamber Music | Richard Wilson, Rolfe Schulte, Sophie Shao, Allen Bustine | F Minor | 1 | 4A | 87 BPM | ||
A Song before Sunrise | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 135 BPM | ||
Piano Trio in A minor, M. 67: 3. Passacaille (Très large) | Maurice Ravel, Beaux Arts Trio | F♯ Minor | 0 | 11A | 79 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
Ives: Set No. 3 for Chamber Orchestra: I. At Sea. Adagio sostenuto | Charles Ives, Ensemble Modern, Ingo Metzmacher | G Major | 0 | 9B | 95 BPM | ||
The Firebird - Apparition de L'Oiseae de Feu, poursuivi par Ivan Tsarevitch | Igor Stravinsky, BBC National Orchestra Of Wales, Thierry Fischer | D♭ Minor | 3 | 12A | 137 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 76 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Asasello Quartett | G Major | 0 | 9B | 88 BPM |
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