Alexander Scriabin, Matthieu Idmtal's '12 Etudes, Op. 8: No. 12 in D-Sharp Minor (Patetico)' came out on September 14, 2018. The duration of 12 Etudes, Op. 8: No. 12 in D-Sharp Minor (Patetico) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. 12 Etudes, Op. 8: No. 12 in D-Sharp Minor (Patetico)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Scriabin: 12 Etudes, Op. 8 & 24 Preludes, Op. 11". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Belgium. In terms of popularity, 12 Etudes, Op. 8: No. 12 in D-Sharp Minor (Patetico) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 12 Etudes, Op. 8: No. 12 in D-Sharp Minor (Patetico) by Alexander Scriabin, Matthieu Idmtal having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | Ludwig van Beethoven, Vladimir Horowitz | C Minor | 2 | 5A | 145 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 1 - Universe: Ondoyant - le rêve prend forme | Alexander Scriabin, Alexander Lubimov, Thomas Trotter, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | B♭ Minor | 3 | 3A | 48 BPM | ||
Etude Op. 10 no. 9 in f minor | Valentina Lisitsa | F♯ Major | 1 | 2B | 130 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Piano Concerto No.2 in G minor, Op.16: 1. Andantino | Sergei Prokofiev, YUNDI, Berliner Philharmoniker, Seiji Ozawa | G Minor | 2 | 6A | 69 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Variation 4 | Carl Maria von Weber, Michael Endres | F Major | 1 | 7B | 111 BPM | ||
15 Virtuosity Studies, Op. 72 “Per Aspera”: II. G Minor | Moritz Moszkowski, Alain Raës | G Minor | 2 | 6A | 104 BPM |
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