"Chopin: 12 Études, Op. 10: No. 1 in C Major" by Frédéric Chopin, Nikolai Lugansky was released on January 1, 2000. The duration of Chopin: 12 Études, Op. 10: No. 1 in C Major is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Chopin: 12 Études, Op. 10: No. 1 in C Major's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 27 in Chopin: Études, Op. 10 & 25 by Frédéric Chopin, Nikolai Lugansky. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Chopin: 12 Études, Op. 10: No. 1 in C Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chopin: 12 Études, Op. 10: No. 1 in C Major by Frédéric Chopin, Nikolai Lugansky is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
V. May. White Nights | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | F Major | 1 | 7B | 144 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 1. Andantino | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 64 BPM | ||
Dolly, Op.56: 6. Le pas Espagnol | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 126 BPM | ||
Gaspard de la nuit, M. 55: I. Ondine | Maurice Ravel, Martha Argerich | D♭ Major | 0 | 3B | 72 BPM | ||
Fantasia in C minor, K.475: Allegro | Wolfgang Amadeus Mozart, András Schiff | B♭ Major | 1 | 6B | 66 BPM | ||
Sonatine, M.40 - for Piano: 1. Modéré | Maurice Ravel, Jean-Yves Thibaudet | F♯ Minor | 0 | 11A | 132 BPM | ||
Études d'exécution transcendante, S. 139: No. 12, Chasse-neige | Franz Liszt, Nikolai Lugansky | E♭ Minor | 1 | 2A | 71 BPM | ||
12 Movements from Romeo and Juliet, Op. 64: IX. Morning Serenade (Transcription For 2 Pianos By Sergei Babayan) | Sergei Prokofiev, Martha Argerich, Sergei Babayan | E Major | 0 | 12B | 89 BPM | ||
Lieder ohne Worte, Op. 53: 1. Andante con moto | Felix Mendelssohn, András Schiff | A♭ Major | 1 | 4B | 75 BPM |
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