"12 Movements from Romeo and Juliet, Op. 64: IX. Morning Serenade (Transcription For 2 Pianos By Sergei Babayan)" by Sergei Prokofiev, Martha Argerich, Sergei Babayan was released on March 23, 2018. The duration of 12 Movements from Romeo and Juliet, Op. 64: IX. Morning Serenade (Transcription For 2 Pianos By Sergei Babayan) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. 12 Movements from Romeo and Juliet, Op. 64: IX. Morning Serenade (Transcription For 2 Pianos By Sergei Babayan)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Prokofiev For Two". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. 12 Movements from Romeo and Juliet, Op. 64: IX. Morning Serenade (Transcription For 2 Pianos By Sergei Babayan) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Movements from Romeo and Juliet, Op. 64: IX. Morning Serenade (Transcription For 2 Pianos By Sergei Babayan) by Sergei Prokofiev, Martha Argerich, Sergei Babayan having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 97 BPM | ||
Praeludium and Allegro in the style of Pugnani in E Minor - Arr. for Piano, World Premiere Recording | Fritz Kreisler, Cyprien Katsaris | A♭ Major | 6 | 4B | 180 BPM | ||
Three Movements from Petrushka: I. Russian Dance | Igor Stravinsky, Khatia Buniatishvili | G Major | 3 | 9B | 125 BPM | ||
Piano Concerto No. 3, BB 127, Sz. 119: III. Allegro vivace | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
Keyboard Concerto in D Major, Hob. XVIII:11 - Concerto for Piano: 3. Rondo all'Ungarese: Allegro assai | Franz Joseph Haydn, Martha Argerich, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | D Major | 2 | 10B | 84 BPM | ||
Études-Tableaux, Op. 39: II. Lento assai | Sergei Rachmaninoff, Sergei Babayan | D Minor | 0 | 7A | 69 BPM | ||
Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | F♯ Minor | 0 | 11A | 84 BPM | ||
Kreisleriana, Op. 16: 1. Äusserst bewegt | Robert Schumann, Martha Argerich | G Minor | 2 | 6A | 93 BPM | ||
Kreisleriana, Op.16: 7. Sehr rasch | Robert Schumann, Martha Argerich | C Minor | 2 | 5A | 84 BPM |
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