"Ravel Variation (Arr. for Violin & Piano after Pavane pour une infante défunte, M. 19 by Ketan & Vivan Bhatti)" by Maurice Ravel, Esther Abrami, Iyad Sughayer was released on April 30, 2021. The duration of Ravel Variation (Arr. for Violin & Piano after Pavane pour une infante défunte, M. 19 by Ketan & Vivan Bhatti) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Ravel Variation (Arr. for Violin & Piano after Pavane pour une infante défunte, M. 19 by Ketan & Vivan Bhatti)'s duration is considered a little bit shorter than the average duration of a typical track. Since Ravel Variation (Arr. for Violin & Piano after Pavane pour une infante défunte, M. 19 by Ketan & Vivan Bhatti) only contains only one song in the album, we like to consider this song as a single. The popularity of Ravel Variation (Arr. for Violin & Piano after Pavane pour une infante défunte, M. 19 by Ketan & Vivan Bhatti) is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel Variation (Arr. for Violin & Piano after Pavane pour une infante défunte, M. 19 by Ketan & Vivan Bhatti) by Maurice Ravel, Esther Abrami, Iyad Sughayer having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Variation 1 (Arr. for Harp) | Johann Sebastian Bach, Parker Ramsay | C Major | 2 | 8B | 66 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Fjara | Dirk Maassen, Eldbjørg Hemsing, The Scoring Berlin Orchestra | A Minor | 2 | 8A | 104 BPM | ||
Dreamlessly (variation) | Carlos Cipa | B Minor | 0 | 10A | 151 BPM | ||
4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM | ||
Mozart: Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Elisabeth Leonskaja | C Minor | 8 | 5A | 87 BPM | ||
Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) | Johann Sebastian Bach, Martin Stadtfeld | G Minor | 1 | 6A | 79 BPM | ||
Tchaikovsky Swan Lake Variation (Arr. for Violin & Piano after Swan Lake, Op. 20, No. 10 by Ketan & Vivan Bhatti) | Pyotr Ilyich Tchaikovsky, Esther Abrami, Iyad Sughayer | C Minor | 1 | 5A | 89 BPM | ||
Torsdag | Søndag Søndag | B Minor | 1 | 10A | 81 BPM | ||
Le Musicien | Damjan Krajacic, Robert Thies | A Minor | 0 | 8A | 134 BPM |
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