On February 18, 2022, the song "Mozart: Piano Sonata No. 12 in F Major, K. 332: II. Adagio" was released by Wolfgang Amadeus Mozart, Elisabeth Leonskaja. With this song being about 5 minutes long, at 4:51, "Mozart: Piano Sonata No. 12 in F Major, K. 332: II. Adagio" by Wolfgang Amadeus Mozart, Elisabeth Leonskaja is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Elisabeth Leonskaja's "Mozart: Complete Piano Sonatas" album is number 35 out of 55. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Piano Sonata No. 12 in F Major, K. 332: II. Adagio is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mozart: Piano Sonata No. 12 in F Major, K. 332: II. Adagio by Wolfgang Amadeus Mozart, Elisabeth Leonskaja to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione | Wolfgang Amadeus Mozart, Lars Vogt | F Major | 0 | 7B | 78 BPM | ||
Pavane pour un infante défunte, M. 19 | Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | G Major | 0 | 9B | 86 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Seong-Jin Cho | B♭ Major | 0 | 6B | 69 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. Piano) | Gabriel Fauré, Alan Feinberg | F Minor | 2 | 4A | 134 BPM | ||
Piano Concerto No. 27 in B-Flat Major, K. 595: II. Larghetto | Wolfgang Amadeus Mozart, Sophie-Mayuko Vetter, Hamburger Symphoniker, Peter Ruzicka | D♭ Major | 4 | 3B | 128 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Wolfgang Amadeus Mozart, Víkingur Ólafsson | C Major | 1 | 8B | 140 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |
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