Alfredo Kraus's 'Curro Vargas "Que Siempre Me Ha Querido" - Remastered' came out on February 17, 2015. Since Curro Vargas "Que Siempre Me Ha Querido" - Remastered is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 12 in Dúos y Romanzas de Zarzuelas by Alfredo Kraus. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Curro Vargas "Que Siempre Me Ha Querido" - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Curro Vargas "Que Siempre Me Ha Querido" - Remastered by Alfredo Kraus is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Corazon, Corazon | Alfredo Kraus | F Minor | 2 | 4A | 82 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
La Traviata: Libiamo, ne' lieti calici (Brindisi) | Giuseppe Verdi, Laura Zanini, Vito Susca, Orquesta Sinfonica del Teatro Nacional de Santa Carlos, Lisboa, Alvaro Malta, Alessandro Maddalena, Alfredo Kraus, Franco Ghione, Piero de Palma, Coro del Teatro Nacional de Santa Carlos, Lisboa, Maria Callas | D♭ Major | 2 | 3B | 89 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Gigantes y Cabezudos: "Coro de repatriados" | Orfeon Donostiarra, Carlos Munguia | G Major | 3 | 9B | 99 BPM | ||
Vida de artistas | Johann Strauss Orchestra | B Major | 3 | 1B | 179 BPM | ||
Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
Preludio | Ataúlfo Argenta | E Major | 3 | 12B | 105 BPM | ||
El Barberillo de Lavapies: Jota de los Estudiantes | Francisco Asenjo Barbieri, Maria Bayo, Antonio Ros Marbà, Orquesta Sinfónica de Madrid, Carlos Javier Mendez, Javier Medina, Arturo Guanche | D Major | 3 | 10B | 101 BPM | ||
Doña Francisquita: "Siempre es el amor" - Remastered | Federico Romero, Amadeo Vives, Guillermo Fernández, Alfredo Kraus, Santiago Ramalle, Ana Maria Olaria | E♭ Major | 2 | 5B | 112 BPM |
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